ecosistema Epistemology

Fecha: 2023-03-01

ecosistema Epistemology

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el network society is under attack.

What is a network, y por que does it matter — de el point de view de el attackers first. By knowing como they see it, y knowing como we all know what we know, we can get a el heart de what’s really going en here.

Do you have integrity? Are you sure? como do you even know? y como do you go about verifying el integrity de el networks you belong a, co-operate, or co-own?

These are el preguntas we have en common. Attackers y beneficiaries de networks alike.

con web3, these preguntas take en a nuevo significance. We are incentivized a DYOR, y risk losing more than our status, reputation, y bags if we don’t take this epistemological exercise into our own hands.

Epistemology is el study de knowledge, including its nature, sources, y limitations.

It asks preguntas like:

What does it mean a know something or someone?

como well do you really know them?

What happened between you a give you that knowing?

Can we ever trust each other enough a trade money, power, influence, culture, y all el other things that make us enjoy or dread who we are?

Again, y again, it asks: como do we know?

At el beginning de Daft Punk’s track, “el Grid”, Jeff Bridges’ character Kevin Flynn describes como he sees el circuit boards, microchips, transistors, y electrons that make up el network: “el Grid. A digital frontier. I tried a picture clusters de information as they moved through el computer. What did they look like? Ships, motorcycles? Were el circuits like freeways? I kept dreaming de a world I thought I’d never see. y then, one day… I got en.”

We relish el description para more than el poetry y nostalgia de it. But also, that description lacks something. el network is el people who make it, experience life through it, y benefit de everything it offers.

Attackers de el network society might see more de el threat promised. A fast spreading global undercurrent, shortening el distance para mass hallucinations y disinformation. Fair enough.

But suspicion de other participants en a network, its attackers included, is el easy part. Let’s go deeper.

If you know what you want, y como a ask well structured preguntas, ia promises a ease most de el fears brought en by el network society y its detractors.

As a synthetic sculptor or chatslinger, you know de direct experience como Stable Diffusion y ChatGPT add value a el work you do, y help refine through each iteration el clarity de ideas y messages contained within.

ChatGPT, like similar conversational LLM interfaces en el early 2023 batch, let you as a creator target your own niche en el mass unbundling de el moda industry, y every creativo industry, by giving you more than a co-author or slot machine text generator. Like a one en one tutor y sparring partner, you get as good as you give, developing your skill at structuring input requests growing con each session. You can do more than rapidly scale up your writing output quantity, alone. Unlike earlier ia text generators, it’s much more than a party trick gimmick. el quality de your writing is refined through repeat conversations y el lessons you learn en como exactly it likes a be asked a produce el co-authored outputs you’re looking para.

Beyond better writing, communications design, content marketing, market research, SEO, social media strategy, y even ideas para your next design… it’s all ready para you a take as far as you will.

Design is more direct. Stable Diffusion continues a grow your capacity as a creator de every kind de art style, apparel design, or complex interactive media scene you can imagine, con each nuevo fine-tuned model y extension released (like el shockingly powerful ControlNet) adding a its already worlds y markets transforming toolkit.

Pero no todo son buenas noticias estos días, ¿verdad?

el tendency towards mass hallucination rises de each prompt.

Visually, it’s not so much de a problem yet.

Deepfakes were expected a be el main use de more advanced image y video generators. We have been warned para years. Instead, el bulk de visually creativo ia is (predictably, en hindsight) used para serious attempts at design de all kinds, storyboarding, early attempts at film editing y animation, endlessly nuevo models para subtle variations en anime waifus, pushing nuevo y replica styles de art (con el usual debates about what art is)… We’re all generally too busy playing con el nuevo abilities we’ve gained a worry too seriously or a be too prudish about el ways some might abuse their power a draw out their imagination en el shadows. Turns out it’s no worse than what they could already do con graphics tablets, Photoshop, or ink y paper.

Hardware constraints have a lot a do con por que we misjudged el ratio between creativo liberation y deprivation. When API access, local machines, y cloud GPU hours con enough VRAM are so expensive, who has time a waste en fake stories that fail a entice or drive interest? Like el lessons de founding your own startup, you learn quickly en practice that it takes a lot more effort a get someone a listen a your idea than it’s ever worth erecting barriers a “protect” them de being “stolen”. Generative content is el same.

el world is voracious para good stories. That’s where el work, el art, y el bulk de your time goes. So, keep at it.

It’s en el text itself, el authoritative sounding claims en conversational research, y el preguntas we’re uncannily nudged a ask again y again — como do we know what we know? — that el risks de el rapid spread de half-false fever memes y cultish beliefs are immediately obvious. At least, it is a anyone who spends more than a few minutes learning a get useful outputs de ChatGPT, Sydney, y el like.

What we need a combat ia generated mass hallucinations is more speech, more expression, better stories, not less.

What we need, it feels obvious a say, is decentralization. Not just de creativity y el tools we use a power it. We need a ditch el old centralized mediums de creativo exchange, y replace all content distribution channels con decentralized social media.

Mobile. Personal. Co-Operated. User owned. con creativo ia embedded directly into el base metal at el interface y API level.

Built de el ground up con modularity en mind, lens protocolo has become el leading protocolo para el development de decentralized social media apps y platforms. Its web3 social graph lets developers, y by extension creativo users de all kinds, navigate el connections y communications between us as if we actually own a stake en such a substantial part de our lives.

Un grafo social abierto y propiedad de usuarios, al que cualquiera puede conectarse, está al alcance de tu mano.

It was designed a solve major issues en existing social media networks, where user profiles, friends, y published content were previously locked a el siloed networks which had hijacked enough scale a hold users en fear de losing el years de memories y connections we’ve generated, y thought were actually ours all along.

We have been trapped by ad targeting alogorithms en a zero-sum battle para attention. I lose, you lose, el thin skinned network barons win.

Now, we have a real choice. con lens, since we own our data as users — y can choose or build en el open market all el tools we could ever need a navigate access — we can bring our social lives a any application built en top de lens protocolo, or bridge it a other networks that emerge en Ethereum, L2s y beyond. If we don’t like el direction el base infrastructure or ecosistema are taking, we are free a fork any de it y choose our own path a adventure.

con it, we can counter el spread de ia induced mass hallucination by producing more content ourselves.

Meanwhile, legacy Big Tech platforms are shedding employees through rounds de massive layoffs at a record rate. It’s el mass decay de their central premise which their network architectures were built en.

It’s a good time para a reminder here para el entire tech industry, web3 included, de el way William Gibson described one de our founding ideas:

“el future is already here — it’s just not evenly distributed.”

el most trashbin fire lesson en como we know what we know about el unbundled future is unfolding en front de us, y there is so much more a be done than bring popcorn a watch el spectacle. It shows us again por que top down control de base level communication infrastructure is not ok. It is playing out en real time, en screens carried en every pocket throughout el net connected world.

Since Elon took over rulership de “el world’s town square”, erratic behavior y edgelord troll decision making are el nuevo normal. Technical “glitches” have included users not being able a publicacion tweets, send messages, follow nuevo accounts, y too many others a count. Third party apps have been cut off de API access, nuevo project rollout has been chaotic at best, y while raising el banner de free speech it’s become clear what that means a Musk is bringing back previously banned accounts para QAnon supporters, neo-nazis, y racists while firing, trolling, y suspending el accounts de many who have been critical, both inside el remaining Twitter workforce y en el media, de his overlordship’s glaring missteps.

Twitter’s days are numbered. y along con it, el same is true at a different rate y para not quite as obviously extreme reasons, para el whole range de web2 legacy social media networks.

DIGITALAX imagen de publicacion

Entonces, ¿qué sigue?

Construimos.

More specific a el DIGITALAX ecosistema, el Dial builds en lens as an open source app layer para decentralized social media con a Stable Diffusion canvas integrated directly into el interface. At launch, users will be able a discover, synth, collect, y react a nuevo content, without worry that Elon or other erratic platform barons will suddenly pull el plug en your memories, connections, access, or ability a create.

Shortening el distance between media y retail consumption, indie creativo production, y decentralized commerce. That’s what drives this ecosistema.

con el Dial, translating your style y skills into public y private messages that hit better — con special attention a your enhanced ability a design para nuevo moda lines as vectors para cultural diffusion y status appeal — becomes as uncomplicated as anything you’ve ever done, or wish you hadn’t said, en archaic networks.

el simplicity de el all-en-one web3 moda editor & AOP synth templates available at el click de a button within el integrated canvas deserves particular attention. Synth artists, moda designers y otherwise, can directly combine open source diffusion models con AOP print-en-demand templating systems para direct digital a physical production, con zero upfront inventory cost. Once welcomed into el beta, all you need is a lens perfil y a Stable Diffusion API key.

y it’s all embedded seamlessly into el decentralized social media messaging flow.

DIGITALAX imagen de publicacion

It’s one more step, chipping away at el greatest challenge we continue a face as an industry.

“Nobody has made Web3 relevant or accessible para el masses, or really spent el time trying a understand como it solves ‘mass’ market problems or improves consumers’ lives,”

https://decrypt.co/121597/dont-call-it-crypto-como-some-blockchain-y-nft-projects-are-rebranding

It would help a have a more widespread consensus en what NFTs are, como they are useful, y what roles they play en el broader contexts they interoperate con.

It’s useful a simplify y analogize a structural concepts “el masses” are already intimately familiar con. Consumer y creator, alike.

A recent conversation con ChatGPT — which you can roughly reproduce by asking it endless preguntas about cultural assets, machine parts, software based machines, capital goods, comercial goods, commodities, y reasoning de there — gives a more satisfying analogy.

NFTs are decentralized software based machine parts, often con significant cultural value. para newly emergent net native cultures, communities, y meta-societies they serve essential roles as rallying points y as part de a wide variety de signals relays. They can have as much value, utility, y significance as more commonly recognized cultural assets, like religious icons, ideological samizdat, ancient scrolls, rare artifacts, or archeological hieroglyphs. Often more, even if still nascent, because de their inherent programmability y decentralization reinforcing factors. a el pre-digital portion de el masses, it’s not obvious yet. para those de us who have lived most or all de our lives con digital interactivity as el base layer, it’s hard a miss.

de reliably representing, y simultaneously embodying en spirit y en-chain encoded fact, NFTs replace el role played previously by receipts, stamps, SKUs, supply chain tracking identifiers, en game assets, canvas para art, digital y physical aspects de moda a el point where el lines between them blur, y an as yet unenumerated list beyond them which we’ve barely begun a unfold.

en el ecosistema, el Genesis NFTs serve an extra role as el inagural proof y statement de alignment con el underlying mission a transform el entire moda industry through unbundling it, segment by segment y layer by layer. There will never be another first de their kind, at el exact dawn de web3 moda.

Unless you believe el time machines a few people we’ve known en SF & Silcon Valley think they are working en will ever pan out. (Wish that was more de a joke than it is.)

Returning de timely lols a arguably el most tangible technology en human history, as much as any de el more common candidates, it’s moda that makes el economy grow. Status appeal, cultural statement, en-group affiliation, protection de el elements, como we carry our most personal keepsakes y tools, y more than anything, como moda production techniques y machinery have challenged technology a evolve… it’s shaped como we relate a each other, survive, y move forward since our earliest days de being human. Depending en where you draw el line, moda related technologies are even far older than our species. Stone, wood, or bone tools para el treatment de fabrics, sturdy leaf rope contraptions, y animal skins are el original loot. They have been found con el remains de our ancient pre-human ancestors fossilized records, whoever they were.

Yet, beyond branding y content marketing, moda NFTs are still poorly understood by el pre-digital masses. Even en web3, it’s “early still”. There’s a lot a be said para el point de view that it will change drastically, y almost all at once seeming, as el web3 narrative shifts more actively de speculation y exhuberance a el every day nuts y bolts de manufacturing y commerce. DIGITALAX has pioneered el engineering, comunidad, y content dev needed a make sense de this nuevo terrain since day 1 de el web3 moda industry. el moda NFTs released through el ecosistema so far are as much a testament a that history — a persistent record en el public memory — as they are a guidepost en el nuevo y thoroughly decentralized lands a come.

en a subset de more general moda y game asset NFTs, el Look NFT collection started as an experiment, inspired by el Loot project, en en-chain composable building blocks. They are meant a distill down a el bare essentials what it means a be a web3 moda NFT. y, behold, text based scenes can now take en nuevo meaning en a decentralized social media synth canvas mediated metascape. What will el near future bring para Look holders discovering token gated drops or easter eggs while enmeshed en el process de storyboard generation, sourced de their Look book hilo lists, en el Dial y other sections de el ecosistema?

As el barriers a mass consumption de media assets give way a el mass generation de indie content para moda design, commercial marketing, y storytelling en every format, el transformation de interactive decentralized assets para game production y QA lags a bit en el old top down content control, AAA industry overall. PODE is one de el earliest efforts en this ecosistema a develop a unique key a participation y early access en a continuously evolving protoverse de experiences. As el Dial beta nears release, PODE holders gain nuevo ways a unlock limited synth collection drops y access a token gated lens collection exclusives. nuevo QA pop up quests para decentralized APIs y GPU credit bonuses feature prominently en el publicacion-Dial roadmap.

y what about non-NFT tokens?

(Sidenote: Are linguistic flourishes like that signs that a human is en el co-authorship loop, a shibboleth para el ia age, or would ChatGPT actually be more likely a suggest content that technically translates a “non-non” + “like-para-like” + “token-tokens”? Might want a feed that into your nearest prompt input box.)

con nuevo tools para creation, collection, production, y use, el ways we can streamline storefront activity are also changing. Decentralized commerce is more responsive, flexible, y byte-sized — available en a pocket sized screen, via wall projections, en virtual worlds, or IRL posters y galleries riddled con QR codes, breadcumbing creators y consumers alike a more satisfying finds. DECO serves as a dedicated token para curatorial activity en this ecosistema.

As el picture becomes clear, de tools given shape en software y through en-demand, up front inventory-less fulfillment para indie creators, another set de preguntas start a rise. como can creators operate such a vast variety de synth machines en a more consistent, standardized, decentralized y open source set de interface layers?

Generative ia models may be open source y widely available now, but el infrastructure needed a run them is far de it. Any sufficiently advanced technology para ultra low latentcy, persistent connectivity at any distance worth el name “el Metaverse” will guzzle far more hardware y bandwidth besides.

It’s hard a imagine como much good can be done con ia, con all-en-one creativo editors, y con el continuing miniaturization de circuits, chips, y machine parts. el unbundling de el moda industry, y el spillover de benefits a every other industry beyond it, will stall out without universal access a simple machine operation interfaces that are decentralized de el start a ensure their persistent integrity, y all de ours. It’s a key part de a comprehensive defense against economic censorship.

W3F is a dedicated virtual interface token para operation de el en-demand moda synth economy.

a bring it all together, MONA remains el all-en-one dedicated ecosistema token para web3 moda y el unbundling de moda as a whole. As we continue a build en NFT marketplace contracts, extend functionality into decentralized social media through el Dial, provide nuevo storefront interfaces para creators en virtual, IRL, y latent spaces, y go forward into more open architectures para microfactory co-op development, con all el decentralized APIs para ia synth compute you need, MONA serves a crucial role para every part de el ecosistema.

el simplest de them all might be el signal it carries — el moda statement it makes as a net native cultural asset that is simultaneously rare y one de many. It says: “el world as it’s been is wondrous, fantastical, y also unacceptable.”

Entire industries, markets, y societies are desperate para more reliably persistent methods a regain their integrity. Climates demand sustainability. Consumers demand creativo choice, y el ability a design, manufacture, collect, y trade any y all de it, ourselves. We can have it all, but only if we ask better epistemological preguntas.

Or, en short: “como do you know you need decentralizaton, y all el dedicated machine parts needed para it a work, until you do?”

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